Neel’s works are characterized by a poised, fluid handling of paint, which combines precise attention to detail with abstract or sketch-like strokes.
Late Portraits & Still Lifes, Alice Neel at David Zwirner.
In her series Koether updates iconic paintings with a visual vocabulary of erratic, graffiti-like lines in evocative hues of pink, blood-red tones and metallic paint. The activity on the ground creates a heightened experience for the viewer, providing an alternate, almost bucolic setting while viewing two-dimensional landscape-like paintings.
The fifth season, Jutta Koether at Bortolami.
Larry Bamburg in Science on the back end. Artists selected by Matthew Day Jackson at Hauser & Wirth.
Buzz Kill, Aaron Curry at Michael Werner.
A cast iron sculpture made in 1973. This large solid iron pour is cast in sand gouged out to loosely follow the contours of Northeastern lakes Bollinger had frequented.
Bill Bollinger at Algus Greenspon.
Animals, Ryan McGinley at Team Gallery.
Gnoli’s paintings do not involve irrational juxtapositions of crazily different objects and sizes, and though there is humor of an oddly solemn sort in them, they do not parody styles of contemporary advertising or product design.
Domenico Gnoli: Paintings 1964-1969 at Luxembourg and Dayan.
Hans-Peter Feldman at Serpentine Gallery (London, UK).
Game Plan, Alighiero Boetti at Tate Modern (London, UK).
